Neil Young released the album Tonight’s The Night way back in 1975, just a few days shy of today. It’s really an incredible country and blues rock record. It’s no surprise that the album made it to No. 25 on the Billboard 200 upon its release. And like many of Young’s records, this piece of work is beautiful and devastating all at once.
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Tonight’s The Night is often considered the third and final album in Young’s “Ditch Trilogy.” And what a way to end an era of his career. This record is one of Young’s rawest and most emotional records, namely in how it explores themes of grief, addiction, and even loss. And if you haven’t listened to it in full, you’re missing out. Though, keep in mind that the ride through this album isn’t an easy one.
What Makes Neil Young’s ‘Tonight’s The Night’ Such a Devastating Record?
Many might see Tonight’s The Night as a eulogy of sorts. The album, more or less, was written and then recorded after the death of two of Neil Young’s close friends. Danny Whitten, the guitarist of Crazy Horses, and Bruce Berry, Young’s famed roadie, both died from h*roin overdoses within weeks of one another. That’s tough for anyone to deal with, and Young dealt with it through music.
“At S.I.R. we were playing, and these two cats who had been a close part of our unit – of our force and our energy – were both gone to junk,” said Young. “Both of them O.D.’d, and we’re playing in a place where we’re getting together to make up for what is gone and try to make ourselves stronger and continue. Because we thought we had it with Danny Whitten – at least I did.”
Much of the record was recorded when Young was actively dealing with profound grief. That energy is palpable in the final cut of the record. From the very start of the record, Tonight’s The Night has a disjointed, chaotic quality to it that mimics (quite beautifully, despite the misery felt throughout the album) the real emotional rollercoaster of grief. It’s unstable, and that’s the point; no one is steady after losing someone they love.
The lyricism of the album is pure poetry, which isn’t anything new for Neil Young. Songs like “Mellow My Mind” and “Tired Eyes” are particularly heartbreaking. But really, this is the kind of album you need to listen to in full. There’s no grand epiphany at the end, no awe-inspiring conclusion. It’s a diary of pain, and that might just make you feel less alone if you relate to Young at all.
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